Thank you to all those who entered. It was a difficult task choosing the top sixty and even tougher for the judges choosing the top three! The winners and photos of the travelling exhibition, along with where it can be seen are now on the website here – 2017 Travelling exhibition
Every Seminar we select between 50 and 60 pieces to take around the UK as part of our travelling exhibition. We keep the pieces for two years and in the past they have been returned in August before the Seminar. The current pieces go back in 2017 and as the next Seminar is 2018 we need to replenish the exhibition.
We are holding a competition. It is open to any woodturner in the UK whether they are AWGB members or not. There isn’t a theme – we just want you to send us some photos of your best pieces of work from which we will make a selection of the best 60 pieces. We will arrange with you for these pieces to be sent to Woodworks at Daventry where Ray Key and Reg Hawthorne will judge the top three and we will award prizes for 1st of £175, 2nd of £150 and 3rd of £125.
The rules are simple:
- You may enter up to three pieces
- You must submit three high quality images per entry by email to email@example.com
- Images may be sent on multiple emails if necessary; each email will be acknowledged.
- Images must be submitted no later than Friday 10 March.
- The images must show side view, top view and underneath view (or an “interesting angle”).
- At least one of the images must contain a ruler so we can judge the size of the piece.
- Your email should describe the piece including details of the timber used in no more than 50 words.
- You must agree that if chosen, we can retain the piece(s) until October 2018.
- You must indicate whether you are prepared to sell the piece.
- You must provide a sale price even if it isn’t for sale for insurance purposes. We insure the pieces for 60% of their sale value.
- If we sell one of your pieces we take 10% commission plus VAT.
We’ll discuss packaging etc. with you if your piece is selected.
That’s all, get making! We’re looking forward to seeing your entries.
Outstanding historical exhibits from the Economic Botany Collection, Kew
Over two hundred outstanding exhibits from the Economic Botany Collection at the Royal Botanic Gardens, Kew will be exhibited at Wizardry in Wood 2016.
This is the first time the Economic Botany Collection, Kew collection will have been exhibited to the public in the City of London. The exhibition features historical items from dozens of countries and provides a dramatic contrast to the finest contemporary woodturning across the rest of the Wizardry in Wood exhibition.
Kew’s Economic Botany Collection illustrates the extent of human use of plants around the world. The huge variety of objects includes artefacts made from plants, as well as raw plant materials, such as wood samples. The collections build an important bridge between biological and cultural diversity, and are a valuable resource for the study of plant uses past, present and future.
Sir William Hooker, the first official Director of the Royal Botanic Gardens at Kew, opened the Museum of Economic Botany in 1847. While the majority of the objects were acquired during the 19th and early 20th centuries, the Collection continues to grow today and now holds over 100,000 specimens, including 35,000 timber specimens and 2,000 wooden objects.
Four themes highlight Kew’s work in promoting the use and conservation of timbers, from the founding of the Economic Botany Collection in 1847 to the current day.
- “Making” shows the close link between the properties of different timbers and how they are used. A range of manufacturing techniques will demonstrate the ingenuity of woodworkers ranging from ancient Egypt to Victorian Britain.
- “Woods at Kew” explores how and why Kew built up its collections through commercial and colonial networks, and today continues to build up its collections through international collaborations with botanists around the world.
- “Science at Kew” shows how Kew scientists play a vital role in promoting the sustainable use of timbers. Wood anatomists work out new ways of identifying timbers at risk of illegal trade, while field botanists plot disappearing forests and work with local people and institutions to preserve them.
- “Woods in the World” draws on the uniquely diverse collections at Kew to illustrate the many ways in which woods have been and are used, especially by indigenous peoples, in the Americas, Europe, Africa, Asia and Australasia.
Inspired by Victorian botanists, Kew and the Building Crafts College have also undertaken the challenge of recreating a “Timber Trophy”, typical of the spectacular displays of the era of the Crystal Palace and other great exhibitions. Over 20 of Kew’s largest cut timbers will be displayed on a special stand made by the College. These range from ebony to bog oak, and show an extraordinary range of colours and grains.
The remarkable diversity and history of Kew’s collections make this an exhibition that will appeal to all, whether interested in wood, sustainability, or history, or indeed all three.
Wizardry in Wood: 12 – 15 October 2016 at Carpenters’ Hall, City of London
Wizardry in Wood, the exclusive quadrennial exhibition of the finest contemporary woodturning, returns with its fourth showcase this October.
Presented by the Worshipful Company of Turners, the 2016 exhibition will be its largest and most diverse to date with an unparalleled showcase featuring 70 of the most skilled leading UK and international contemporary turners as exhibitors and also in the Daniel Collection.
At the core of the exhibition, visitors will be able to see work from 25 of today’s leading woodturners who bring traditional craft skills, steeped in history, to a setting of newness and innovation.
Live demonstrations will allow visitors to engage with the unique craft skills and processes while daily guided talks will offer an insight to the materials, methods and designs on show. Visitors will also have the opportunity to see the entries and winners of the Turners’ Company 2016 Competitions, and with many of the works on sale, visitors will have the opportunity to purchase a diverse range of high quality original works.
Exhibition website: www.wizardryinwood.com
Opening times : Wednesday 12 Oct, Thursday 13 Oct and Friday 14 Oct: 10am – 6pm;
last entry 5pm. Saturday 15 Oct: 10am – 4pm; last entry 3pm.
Venue: Carpenters’ Hall Throgmorton Avenue, London, EC2N 2JJ
Tickets from Eventbrite : www.wizardry-in-wood.eventbrite.co.uk
Single: £10 Double: £16.
(These prices include a 10% donation to the Turners’ Company Charity)
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Twitter @WizardryinWood Instagram @wizardry_in_wood
Call for Entries | Materials: Hard + Soft International Contemporary Craft Competition & Exhibition
The Greater Denton Arts Council announces the opening of its 2017 Call for Entries for the 30th Annual Materials: Hard + Soft Contemporary Craft Exhibition. This exhibition celebrates the evolving field of contemporary craft and the innovation of artists who push the boundaries of their chosen media. Recognized as one of the premier craft exhibitions in the United States, this year we are thrilled to be partnering with the National Endowment for the Arts to expand this national exhibition to now include international artists. Approximately 70 works will be selected for exhibition by juror JoAnn Edwards, Executive Director of the Museum of Craft and Design in San Francisco, California. Of the works selected, Juror Awards in amounts of $1000, $750, $500, and $250 will be awarded.
Online submissions and prospectus available at dentonarts.com/materialshardandsoft
SUBMISSION DEADLINE | September 30, 2016
2017 EXHIBITION | February 4 – May 6, 2017 at the Patterson-Appleton Arts Center in Denton, Texas.
Inquires may be directed to the Arts Council at (940) 382-2787 or firstname.lastname@example.org